Cultural businessman Michael Fox works with his greatest tool: his mind. Abstractly fabricating complex structures that manifest solely within participants, Mr. Fox eschews the concrete in favor of the potential. The idea is the complex object. Though these (ideas) could be strictly classified as “unrealized projects”, they are themselves complete entities in their unrealized state. Just as an architect drafts models that, in never culminating in an independent building, are themselves complete products, Mr. Fox, forges conceptual scaffolding that, in their nonentity, exists autonomously. Finances and commodities (solely relative in existence) and corporations (the formation of fictional entities, by strict definition) are the forms these projects take, speaking relevantly to our world, its priorities, and the permeability of valuation.